{"id":7301,"date":"2024-03-07T17:29:45","date_gmt":"2024-03-07T16:29:45","guid":{"rendered":"https:\/\/www.austausch.org\/2024\/03\/07\/interview-with-galina-kazimirouskaya\/"},"modified":"2024-03-07T17:53:23","modified_gmt":"2024-03-07T16:53:23","slug":"interview-with-galina-kazimirouskaya","status":"publish","type":"post","link":"https:\/\/austausch.org\/en\/2024\/03\/07\/interview-with-galina-kazimirouskaya\/","title":{"rendered":"Interview with Galina Kazimirouskaya"},"content":{"rendered":"\n<p>Galina Kazimirouskaya finds that choral music is an incredible power and key to unity, national idea, self-awareness, and roots. During hard times of the political crisis in Belarus 2020, her creative work became a strong civil statement. The regime of Lukashenka got scared of\u2026 songs! Galina and her choir became victims of persecutions. Now she continues her artistic missions in exile in Poland, together with the \u00abFree Choir\u00bb. The choir unites Belarusians and reminds the importance on preserving one\u2019s culture and cultural indentity, especially far from home.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<p> <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Interview mit Galina Kazimirouskaya | Belarusische Expertinnen im Exil\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/fdOSaFDCvNE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<p> <\/p>\n<\/div>\n<\/div>\n\n<p>The interview was made as part of the <a href=\"https:\/\/www.austausch.org\/en\/2024\/02\/12\/femmoz-empowerment-for-women-in-and-from-belarus\/\" data-type=\"post\" data-id=\"5445\">project Femmoz &#8211; Empowerment for women in and from Belarus<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>During hard times of the political crisis in Belarus 2020, Galina Kazimirouskayas creative work became a strong civil statement. And the regime of Lukashenka got scared of\u2026 songs, and Galina and her choir became victims of persecutions. Now she continues her artistic missions in exile in Poland, together with the \u00abFree Choir\u00bb uniting Belarusians and reminding the importance on preserving one\u2019s culture and cultural indentity, especially far from home. In this interview Galina reports on her experiences and her work.<\/p>\n","protected":false},"author":13,"featured_media":7297,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[15,21,12],"tags":[61,140,63,62,64],"years":[39],"countries":[33],"topics":[108,110],"ppma_author":[318],"class_list":["post-7301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-femmoz-en","category-femmoz-interviews-en","category-projects","tag-belarus","tag-civil-society","tag-democracy","tag-human-rights","tag-women","years-39","countries-belarus","topics-civil-society-networks","topics-gender-and-inclusivity"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-30 01:03:38","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"authors":[{"term_id":318,"user_id":13,"is_guest":0,"slug":"janapaliashchuk","display_name":"Jana Paliashchuk","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/4cf555dfa30d515f640c542a8fb05941b4dd4bde5badebaeee9d66c71a260a34?s=96&d=mm&r=g","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":"","9":"","10":"","11":"","12":""}],"_links":{"self":[{"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/posts\/7301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/comments?post=7301"}],"version-history":[{"count":1,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/posts\/7301\/revisions"}],"predecessor-version":[{"id":7302,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/posts\/7301\/revisions\/7302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/media\/7297"}],"wp:attachment":[{"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/media?parent=7301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/categories?post=7301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/tags?post=7301"},{"taxonomy":"years","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/years?post=7301"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/countries?post=7301"},{"taxonomy":"topics","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/topics?post=7301"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/austausch.org\/en\/wp-json\/wp\/v2\/ppma_author?post=7301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}